Saturday, December 3, 2016

An Apulian Situla, the Becchina Archive, and a Munich Auction

Source: Becchina Archive
The forthcoming auction at Gorny & Mosch is due to include an Apulian situla attributed to the Lycurgus painter (Lot 87). The collecting history is presented:
Aus der James Stirt Collection, Vevey in der Schweiz, erworben 1997 bei Heidi Vollmöller, Zürich.
Dr Christos Tsirogiannis has pointed out that an image of the situla appears in the Becchina archive. He notes: "A handwritten note indicates that the images were sent from Raffaele Montichelli, a convicted antiquities trafficker, to Becchina on 18 March 1988". The image shows that the situla is covered in salt encrustations and is presumably relatively fresh out of the ground.

It is known that part of the James Stirt collection was derived from Ellie Borowski (e.g. an Athenian black-figured cup that passed through Christie's London in 2014 [see Beazley Archive]). In this case the source is Heidi Vollmöller of Zurich.

Dale Trendall [not Sir John Boardman as in the catalogue] described the Lycurgus painter as representing "the culmination of the second phase of the 'Ornate'" (Red Figure Vases of South Italy and Sicily, p.80).

The Becchina image suggests that this situla surfaced post-1970. The Munich auction-house needs to be seen to act responsibly, to withdraw the situla from the auction, and to contact the Italian authorities.


Bookmark and Share so Your Real Friends Know that You Know

Friday, December 2, 2016

A Gnathian squat lekythos and the Becchina Archive

Source: Becchina archive
Dr Christos Tsirogiannis has spotted that a Gnathian squat lekythos that is due to be auctioned by Gorny & Mosch (lot 127). The collecting history is provided:
Ex Christie´s London, 15.04.2015, ex 113; aus der Privatsammlung von Hans Humbel, Schweiz, erworben bei der Galerie Arete, Zürich in den frühen 1990er Jahren.
Tsirogiannis points out that the Becchina photograph is dated to 24 September 1988. The objects appear to have been supplied by Raffaele Montichelli.

The significance of the collecting history is that the object was offered for auction at Christie's (London) on 15 April 2015 (lot 113). This is one of four lots withdrawn from the Christie's sale after Tsirogiannis had raised concerns about their collecting histories. It is perhaps noteworthy that the online Christie's catalogue has removed information about the askos.

This raises a number of questions:

  • Was the askos sold at Christie's in spite of being withdrawn?
  • Was the askos returned to its vendor?
  • Is the vendor at Gorny & Mosch the same as at Christie's?
This raises further issues about the lack of sufficient rigour on the part of the team at Gorny & Mosch. Were they unaware of the controversy surrounding the askos at last year's sale?

Gorny & Mosch need to take responsible action and withdraw the askos from the auction and to contact the Italian authorities.


Bookmark and Share so Your Real Friends Know that You Know

Thursday, December 1, 2016

An Etruscan bronze athlete from an old Swiss collection

Source: Schinousa archive
Dr Christos Tsirogiannis has drawn attention to four items in the December sale of antiquities at Gorny & Mosch in Munich.

I am particularly interested in the fifth century BC Etruscan bronze figure of a youth. The collecting history is given as follows:
Ex Sammlung R.G., Deutschland. Bei Royal Athena Galleries, New York, Catalogue XXI, 2010, 43. Ex Sotheby´s Catalogue of Antiquities 13. Juli 1981, 341.
If we tidy this up, it could be presented as:
R.G. Collection, Germany; Sotheby's (London) 13 July 1981, lot 341; Royal Athena Galleries, New York, Catalogue XXI, 2010, no. 43.
However if you check the Royal-Athena Galleries catalogue for 2010, the following collecting history is provided:
Athos Moretti collection, Bellinzona, Switzerland; Royal-Athena Galleries, 1985; R.G. Collection, Calodyne, Mauritius, 1985-2008.
From my notes on the piece I can provide a little more information:
Athos Moretti collection, Bellinzona, Switzerland; Sotheby's (London) 13-14 July 1981, lot 341; Royal-Athena Galleries, Catalogue IV, 1985, no. 185; Dr Leo Mildenberg for the R.G. Collection; R.G. Collection, Calodyne, Mauritius, 1985-2008.
I am curious about the information in the Gorny & Mosch catalogue:

  • Why is there no mention of the Athos Moretti collection in Bellinzona? What is the authenticated documentation that it was in this collection?
  • Why is there no mention of the Royal-Athena Galleries catalogue of 1985?
  • Why is there no mention of Dr Leo Mildenberg?
  • Why place the R.G. collection in Germany rather than Mauritius?

The more intriguing question is when was the bronze handled by Robin Symes? And why is there no mention of this?

It would be interesting to learn more about the collection of Dr Athos Moretti, not least because the Dallas Museum of Art is reported to have acquired a large part of his collection of jewellery in 1991.

It does suggest that the due diligence process for Gorny & Mosch needs to be tightened. For previous mentions of this auction house see Operation Ghelas.

Bookmark and Share so Your Real Friends Know that You Know

Wednesday, November 30, 2016

New Surfacings and Re-surfacings in Germany

Source: Schinoussa archive
Cambridge based archaeologist Dr Christos Tsirogannis has made a number of new identifications for items that are due to be auctioned by Gorny & Mosch in Munich on 14 December 2016.

Below is a text based on Tsirogiannis' notes and reproduced with his permission.

1. An Etruscan bronze figure of a youth (lot 19)
Mid 5th century B.C.
Collecting history: 'Ex Sammlung R.G., Deutschland. Bei Royal Athena Galleries, New York, Catalogue XXI, 2010, 43. Ex Sotheby´s Catalogue of Antiquities 13. Juli 1981, 341'.
Tsirogiannis had previously identified the same figure from the Symes archive when it was on offer in the Royal Athena Galleries on October 2010. It was one of several pieces identified from the Medici and the Becchina archives. In January 2011 these identifications were presented in brief through 'Looting Matters' and by the Italian journalist Fabio Isman in Il Giornale dell'Arte (see here). It is unclear why this piece has resurfaced given the earlier discussion.

2. An Apulian red-figure situla attributed to the Lycurgus painter. (Lot 87)  
360 - 350 B.C.
collecting history: 'Provenienz: Aus der James Stirt Collection, Vevey in der Schweiz, erworben 1997 bei Heidi Vollmöller, Zürich'.
This situla is shown covered with soil and salt encrustations from an image in the Becchina archive.
A handwritten note indicates that the images were sent from Raffaele Montichelli to Becchina on 18 March 1988. this predates the collecting history presented by Gorny & Mosch.

3. An Apulian red-figure bell-krater attributed to the Dechter painter (Lot 88)
350 - 340 B.C.
Collecting history: 'Ex Galerie Palladion, Basel; ex Privatsammlung von Frau Borowzova, Binnigen in der Schweiz, erworben 1976 von Elie Borowski, Basel'.
The Gallerie Palladion [Antike Kunst] was associated with Becchina. An image from the Becchina archive shows the krater covered with soil and salt encrustations. The date printed on the image reads 'APR 4 '89' (4 April 1989), making almost impossible the attested involvement of Elie Borowski 13 years earlier in the collecting history of the krater.

4. A Gnathian squat alabastron with the bust of a winged woman with sakkos, attributed to the White Sakkos Painter (Lot 127)  
Apulia, 320 - 310 B.C.
Collecting history: 'Ex Christie´s London, 15.04.2015, ex 113; aus der Privatsammlung von Hans Humbel, Schweiz, erworben bei der Galerie Arete, Zürich in den frühen 1990er Jahren'.
This alabastron is also depicted in the Becchina archive in an image dating 24 September 1988, sent to Becchina again by Raffaele Montichelli. Again the date on the image is pre-dates the collecting history given by Gorny & Mosch.
However, the most significant element of this case is that it is the first example of an object reappearing after it was withdrawn following one of Tsiirgiannis' identifications.This alabastron was one of the two vases comprising lot 113, in Christie's 15/4/2015 antiquities auction in London. At that point the alabastron was among four identifications Tsirogiannis made and all four antiquities were withdrawn before the auction. All four cases and the image of the alabastron were published on the ARCA blog. It seems that the owner of the alabastron is trying to sell the vase in the antiquities market of a different country, thinking that Tsirogiannis would not notice the piece.

Tsirogiannis reports that Interpol as well as German and Italian authorities have been informed.

Bookmark and Share so Your Real Friends Know that You Know

Collecting histories and the Chesterman collection

Now that Bonhams has withdrawn an Etruscan antefix from its auction due to what appear to be links with the Medici Dossier it is important that the collecting histories of the Chesterman collection of terracottas are explored and investigated.

Are any of the sources for these terracottas ones that are already known from the hundreds of objects already returned to Greece and Italy?

Bookmark and Share so Your Real Friends Know that You Know

Anglo-Saxon jewellery declared treasure

A piece of Anglo-Saxon jewellery discovered by a metal-detectorist in a Norfolk field near Diss has been declared Treasure ("Anglo-Saxon find in Norfolk declared treasure", BBC News November 29, 2016; see also "Anglo-Saxon pendant: Norfolk student makes 'royal' find", BBC News February 27, 2015). A subsequent excavation showed that this came from a female burial.

Bookmark and Share so Your Real Friends Know that You Know

Wednesday, November 9, 2016

Bonhams withdraws ex-Chesterman lot

Images courtesy of Dr Christos Tsirogiannis
Bonhams has withdrawn the Etruscan antefix from its sale of antiquities after images of what appeared to be the piece were identified by Dr Christos Tsirogiannis in the Medici Dossier.

The staff of Bonhams now need to reflect on their due diligence process and perhaps the auction house's use of "stolen" art databases. It has been pointed out at the APPG in Westminster that there are clear issues about the over reliance of such databases for identifying recently surfaced archaeological objects.

The decision to withdraw the lot will presumably imply a detailed analysis of the Chesterman collection and the origins of each of the terracottas.

Bookmark and Share so Your Real Friends Know that You Know

Tuesday, November 8, 2016

The Medici Dossier and the James Chesterman collection

Images from Medici Dossier. Source: Dr Christos Tsirogiannis.
Dr Christos Tsirogiannis has made another identification from the Medici Dossier. The piece in question is a 6th century BC Etruscan terracotta antefix that is due to be auctioned in London later this month (Bonhams 30 November 2016, lot 14). The collecting history ("provenance") is given as:
  • James Chesterman Collection (1926-2014), formed in the UK in the 1970s-2000. 
  • With À la Reine Margot, Paris, acquired in December 1986.
The antefix appears in two images, one as a standard Polaroid, the other as a record card for the Hydra Gallery. Hydra Galerie has been associated with Medici and has been discussed before, for example:
It is not clear why Bonham's has not mentioned Hydra Galerie in the collecting history. But note that on the card there is the annotation that the piece was to be assigned "v[ia] Londr[a]" with a value of $1,500.

The association with James Chesterman clearly has implications. I have listed some of his terracottas (and the associated bibliography) in:
  • David W. J. Gill. “Museum Supplement: Recent Acquisitions by the Fitzwilliam Museum, Cambridge, 1971-1989.” The Journal of Hellenic Studies 110 (1990), pp. 290–294. www.jstor.org/stable/631820.
I note that among the three examples I described was one that was acquired from N. Koutoulakis.

This new identification yet again raises issues about the due diligence process conducted by and on behalf of the auction houses. Staff at Bonhams are, I am sure, aware that the Cultural Property (Armed Conflicts) Bill is passing through the UK Parliament at the moment and that it is in the interest of those involved with the sale of archaeological material to be seen to be taking action when concerns are raised about objects that surface on the market.

I understand that the relevant authorities in Italy and the UK have been informed.

For further discussion of the antefix see ARCA.

Bookmark and Share so Your Real Friends Know that You Know

Thursday, November 3, 2016

So-called provenance and collecting histories

The latest number of the International Journal of Cultural Property (IJCP) 23.3 (August 2016) has a cluster of papers that will be of interest. The starting point is Elizabeth Marlowe's, "What We Talk About When We Talk About Provenance: A Response to Chippindale and Gill" [DOI], pp. 217-236.
In an influential article published in 2000, David Gill and Christopher Chippindale devised a scale to assess the quality of the provenance information provided for the antiquities displayed in seven recent high-profile exhibitions or collections. This article critically reviews Chippindale and Gill’s provenance scale, arguing that the values it encodes legitimize some of the more intellectually harmful practices of dealers and curators. The scale also fails to differentiate between more intellectually responsible methods of hypothesizing provenance and those that merely generate houses of cards. An alternative model for assessing how antiquities are discussed in museum scholarship, focusing on epistemological precision and reflexivity, is offered.
This is followed by:

  • Gill, David W.J. (2016) ‘Thinking About Collecting Histories: A Response to Marlowe’, International Journal of Cultural Property, 23(3), pp. 237–244. doi: 10.1017/S0940739116000187. 
  • Lyons, Claire L. (2016) ‘On Provenance and the Long Lives of Antiquities’, International Journal of Cultural Property, 23(3), pp. 245–253. doi: 10.1017/S0940739116000199. 
  • Bell, Malcolm. (2016) ‘Notes on Marlowe’s “What We Talk about When We Talk about Provenance”’, International Journal of Cultural Property, 23(3), pp. 254–256. doi: 10.1017/S0940739116000205.

Marlowe concludes with:

  • Marlowe, E. (2016) ‘Response to Responses on “What We Talk About When We Talk About Provenance”’, International Journal of Cultural Property, 23(3), pp. 257–266. doi: 10.1017/S0940739116000217.

Essentially Marlowe concludes that the situation is even more bleak that the one that we had described.

My hope is that those discussing cultural property will stop using the obsolete word "provenance".


Bookmark and Share so Your Real Friends Know that You Know

Cultural Property (Armed Conflicts) Bill: Second Reading

(c) David Gill
The Hansard text of the second reading of the Cultural Property (Armed Conflicts) Bill on Monday 31 October 2016 has now been made available.

Some highlights in the debate (that ranged over a number of cultural issues beyond the Bill) include:
  • The Secretary of State for Culture, Media and Sport (Karen Bradley): "We are lucky to have a highly professional and dedicated heritage and museum sector that works extremely hard to preserve our heritage and bring the story of our history to life. This work helps attract visitors to our shores too. We also have a duty to help protect the culture and heritage of other countries, for they are part of our shared inheritance as human beings."
  • Helen Goodman (Bishop Auckland) (Lab): "Can she assure the House that after the 62 years we have waited since we signed the treaty, there will not be another 62 years until the Government bring it into effect?"
  • Chris Bryant (Rhondda) (Lab): raised an important issue about clause 17 and "unreasonable reason".
  • Karen Bradley: "Although dealers will need to satisfy themselves through due diligence that there is no reasonable cause to suspect that objects presented for sale have been unlawfully exported from an occupied territory, existing codes of conduct already oblige dealers not to import, export or transfer the ownership of objects where they have reasonable ​cause to believe that the object has been exported in violation of another country’s laws. Dealers will not be required to carry out any further due diligence beyond that which they should already be conducting. In order to commit an offence, a dealer must deal in an object knowing, or having reason to suspect, as the hon. Member for Rhondda has pointed out, that it has been unlawfully exported. If a dealer takes temporary possession of an object for the purposes of carrying out due diligence or providing valuations, they will not be dealing in that object, because they will not be acquiring the object."
  • Keven Brennan (Cardiff West) (Lab): "That leads me to one of the central concerns about the Bill. We will support it on Second Reading tonight and throughout its later stages. However, although the Bill has been brought forward in the context of the aftermath of the destruction of cultural treasures in recent conflicts, it does not, as I understand it, cover the actions I have described because they were carried out by occupying forces that are not recognised states. I hope that the Minister will correct me if I am wrong, but the Bill will not necessarily prevent extremists from intimidating people into complying. In her response to the debate, will she tell us whether that comes within the Bill’s scope or powers?".
  • Chris Bryant: "Does my hon. Friend agree that the British Museum plays an absolutely vital role—not only in this country, but in modern Iraq and Syria—in trying to protect many Mesopotamian antiquities? Indeed, the British Museum was in closer contact than anybody else with those who were summarily executed. While we are being nice to Government Members, will my hon. Friend congratulate the hon. Member for Newark (Robert Jenrick) on the fact that, from the moment he arrived in the House, he has pursued this issue?".
  • Keven Brennan: "My hon. Friend mentioned the British Museum, which is a wonderful institution. If we are candid, however, we should recognise that our own hands are not necessarily entirely historically clean in relation to the removal of cultural property. That occurred in Britain’s colonial history, and it was used to build British wealth and power at the direct expense of colonised nations. Recent speculation concerning the repatriation of the Parthenon marbles to Greece, as well as campaigns to return the Koh-i-noor diamond to India and the Benin bronze cockerel to Nigeria, shows that the removal of cultural property reverberates through the centuries. I notice that the hon. Member for East Worthing and Shoreham (Tim Loughton) is shaking his head."
  • Keven Brennan: "During the Second Reading debate in the Lords, Lord Redesdale mentioned the Ministry of Defence’s plans to create a squad of monuments men—and, presumably, women as well—whose focus would be to safeguard cultural property during armed conflicts. As I understand it, they would be soldiers with archaeology ​qualifications and the like. Meanwhile, the Department for Education has been campaigning against so-called soft subjects, leading to exam boards ending archaeology, art history and classical civilisation A-levels. The AQA explained its decision to cut A-level archaeology as follows: “Our number one priority is making sure every student gets the result they deserve…the complex and specialist nature of the exams creates too many risks on that front”— I am not sure how not offering an exam in a subject will make it any less specialist than it already is. On history of art, the AQA stated that the decision had nothing to do with the importance of the subject and “won’t stop students going on to do a degree in it”. That logic seems flawed to me. But it does not make a pretty picture overall, let alone a masterpiece, to have the Ministry of Defence wanting more soldiers with knowledge of art history and archaeology and the Department for Education cutting those same subjects from our classrooms, while the Department for Culture, Media and Sport is ratifying conventions and proclaiming that a national priority. "
  • Mr John Whittingdale (Maldon) (Con): "Cultural assets are also part of the world’s heritage, and we all have a duty to do our utmost to safeguard that heritage. For that reason, I was delighted when the Government established the cultural protection fund, worth £30 million, and I pay tribute to my right hon. Friend the Member for Tatton (Mr Osborne), Chancellor of the Exchequer when the fund was established, and the Education Secretary, who was then Secretary of State for International Development, for their part in agreeing to that, as a large part of the fund can be classified as international aid. I also pay tribute to Neil MacGregor—he has already been mentioned—who was the driving force for the establishment of the fund. He and I launched it together, and, as the director of the British Museum at the time, he took responsibility for the first phase, a £3 million fund administered by the British Museum to send archaeologists into Iraq to advise and help in restoration where damage had taken place."
  • John Whittingdale: "The Committee heard concern about one aspect of the Bill: the offence of dealing in unlawfully exported cultural property. The first concern was about the definition of occupied territories. At the time, we were told that it was a very narrow definition, or that only a narrow ​group of countries or territories could be considered to be occupied. In 2008, the regulatory impact assessment identified the Golan heights, East Jerusalem and the west bank. Unfortunately since that time, the list of occupied countries has grown—I draw attention to Crimea. For the purposes of certainty for those dealing in cultural objects, it would help if we clarified exactly which territories we consider to be occupied."
  • John Whittingdale: "The fact that there have been no convictions does not necessarily imply that the Act is not working—it is important to have it on the statute book. I do not believe that this country is full of dodgy art dealers who wilfully ignore the law and deal in plainly illegally exported objects."
  • John Whittingdale: "The art market is determined and supports the Bill. The last thing it wants is for this country to become a place where people can deal in unlawfully exported objects. It is worth bearing in mind that the market is hugely competitive and the third biggest in the world—it was worth something like £9 billion in sales in 2014. I would not like to see it inadvertently put at a disadvantage compared with other markets around the globe. I hope the Government bear that in mind. As I have said, I very much welcome their commitment."
  • Brendan O'Hara (Argyll and Bute) (SNP): "What Daesh is doing, in willfully desecrating and pillaging the artefacts in those sites, is a shameful and inexcusable crime against all of humanity. But let us be clear, not everything that Daesh is doing can be dismissed as simply malicious vandalism or an attempt to eradicate all traces of a pre-Islamic civilisation, as there is irrefutable evidence that when Daesh seizes a new city, one of its first acts is to plunder the museums and cultural sites for artefacts to raise much needed cash. Its looting of priceless artefacts is done for profit, and the flood of stolen antiquities being smuggled into the open arms of collectors across Europe and America shames us all. Michael Danti, a Boston University archaeologist who advises the US State Department on smuggled antiquities, said last year, “What started as opportunistic theft by some has turned into an organized transnational business that is helping fund terror”. Irreplaceable artefacts are being stolen from an already beleaguered people and are being sold on the black market to an unscrupulous but fabulously wealthy elite, whose money is funding Daesh’s murderous campaign."
  • Mr Edward Vaizey (Wantage) (Con): "inally, I cannot resist the bait from the Scottish National party spokesman, the hon. Member for Argyll and Bute (Brendan O'Hara). He talks about the Elgin marbles. I am afraid he does this great convention and the Bill a disservice by bringing up the Elgin marbles. They were, of course, purchased legitimately in the ​19th century. Not only that, they have been preserved to the very highest standards possible in the greatest museum in the world which, as my hon. Friend the Member for East Worthing and Shoreham (Tim Loughton) pointed out, is a world museum that is open to all, free of charge. The Elgin marbles are seen in pristine condition by millions of people. Indeed, they were recently loaned to Russia for even more people to see, which goes to show that the British Museum preserves the Elgin marbles not for any national self-interest, but for the world. "
  • Dr Matthew Offord (Hendon) (Con): "Cyprus has witnessed its cultural and religious heritage fall prey to the policy of pillage, destruction and desecration instituted after the illegal invasion of the island in 1974, and during the subsequent and continuing occupation. Churches, chapels, monasteries, archaeological sites, libraries, museums and private collections of religious art and antiquities in the occupied areas of Cyprus have been systematically looted. The art treasure market of the entire world has for years been flooded with Cypriot antiquities from the occupied part of Cyprus. Sculptures, ceramics, figurines, statuettes, tools, weapons, frescoes, religious paintings and other works of art from Cyprus are routinely found at auction houses around the world, in particular here in London. I sought to intervene on my right hon. Friend the Member for Maldon (Mr Whittingdale) to gently remind him that London is not only a centre of antiquities; it is likely to be a significant place for illegal antiquities, too. Research undertaken by The Guardian found the illegal market to be flooded with antiquities, and there are various reasons why the Government have not been able to stop it."
  • David Burrowes: "Let me touch on the Bill’s wording, which has been a matter of concern to the Association of Art & Antique Dealers and others. Clause 17 in part 4 needs careful attention, and we will no doubt hear more from Members about it. It is worth noting that the National Police Chiefs Council lead for heritage and cultural property crime, who should be commended and for whom resources for the enforcement effort are important, said that given that dealers in cultural property are expected to conduct due diligence checks, they would be unlikely to fall foul of the objective test of “reason to suspect”. The Department for Culture, Media and Sport impact assessment is in agreement with that, which is perhaps not surprising."
  • Robert Jenrick (Newark) (Con): "Most of the Bill is about the illicit trade, and we must shrink the demand for these works in the world today. Contrary to some of the remarks made in passing this evening, the UK is very good in this regard. We are not the epicentre of the illicit trade in art and antiquities; that is to be found in the Gulf states, in China, in Russia and in other parts of the world. The UK is actually at the forefront of having responsible dealers and major auction houses who care about their reputations, but that is all the more reason for us to do this and lead the world in enforcement. I want to say a few words about the offence of dealing unlawfully in exported property. We must tackle this issue, and I would like to think that the Minister would give this further thought on Report. This matters because, if we want to shrink the illicit market, we have to defend the legitimate market. The great auction houses such as Christie’s and Sotheby’s actually have very little interest in maintaining their antiquities departments; antiquities account for 1% or less of the turnover of such auction houses. It would be very easy for them and for experienced legitimate dealers to walk away from this trade, and that would matter because it would push more objects on to the black market and on to smaller auction houses that lack the compliance and legal and regulatory structures to do due diligence properly, and it would push out good dealers and give trade to those we are more concerned about."
  • Sir Edward Garnier (Harborough) (Con): "Beyond that, I urge the Government to consider what effect this provision will have on the art market here in London. As was said by my hon. Friend the Member for Newark, who speaks with the advantage of being not only a lawyer, but a former director of Christie’s, this will have a stifling effect. It may be that there will not be many convictions or many arrests, but the mere threat of the reputational damage caused by this possibility is enough to put the mockers on this valuable and entirely legitimate aspect of the London art market. The art market will go elsewhere and the crooks will get away with it. If we want to catch the bad boys, and if we want to inhibit this wrong and immoral market, why not stick to the 2003 wording or something similar to it, rather than allowing this Bill to contain an error of principle which could confound the interests of all of us who wish to see the destruction and the dealing in cultural objects that have been stolen brought to an end?"
  • Tim Loughton: "Iraqi intelligence claims that Daesh alone has collected more than $40 million from the sale of artefacts. It is the equivalent of what the Taliban were doing in Afghanistan through the cultivation and sale of heroin to feed markets in the west. We took that very seriously and it was a priority for the invading and occupying forces in that country, yet the devastation and profit involved in the plundering of these archaeological sites and the sale of antiquities does not seem to register nearly as clearly on the world’s radar. This is an important part of putting that case firmly on the world’s agenda.​"
  • Tracey Crouch: "If I may, I will explain the Government’s position on clause 17. As dealers should be carrying out due diligence for any piece of cultural property that they wish to buy or sell, in accordance with industry standards, we do not consider that the legislation imposes any extra burdens on those in the art industry. In order for a criminal case ​to proceed, the prosecution must be satisfied that there is enough evidence to provide a realistic prospect of conviction, and that there is enough evidence that prosecution is needed in the public interest. Where there is credible evidence to suggest that an object may have been unlawfully exported, we consider that a dealer would not be acting in good faith if they proceeded in a deal involving that object unless further due diligence were undertaken to rebut that evidence. On that basis, we do not believe that honest dealers should be concerned about the risk of prosecution."


Bookmark and Share so Your Real Friends Know that You Know

LinkWithin

Related Posts with Thumbnails