|Source: Cleveland Museum of Art|
The museum said the portrait of Drusus Minor was the property of the Bacri family of Algiers, Algeria, as far back as the late 19th century. The museum said the work was inherited by Fernand Sintes before 1960s, and that Sintes transferred it to France in 1960.The museum has yet to disclose the authenticated documentation for this reported "pedigree". David Franklin, the director of the Cleveland Museum of Art and expert in Italian Renaissance art, informs the report:
Franklin said the two new purchases follow guidelines established by the Association of Art Museum Directors, which stipulate that museums generally should avoid buying antiquities unless they were documented as being outside their likely country of origin before 1970, the date of an international UNESCO convention aimed at halting the looting of antiquities, or were legally exported thereafter.What is the evidence that Drusus was known prior to 1970? Franklin appears to expect that questions will be asked about the Drusus.
Cleveland is unwilling to discussion its acquisition of the bronze portrait of Marcus Aurelius that appears to come from Bubon. The collecting history for the so-called Cleveland Apollo (also acquired from Phoenix Ancient Art) has been disputed.
Cleveland was one of the North American museums that agreed to return material to Italy (list here). So there is every reason for the museum to wish to be seen to be conducting a rigorous due diligence process prior to acquisition.
The dispute over the St Louis Art Museum's acquisition of an Egyptian mummy mask, purchased from Phoenix Ancient Art, has shown flaws in the reported collecting history.
The second piece acquired by Cleveland is a Mayan vessel "with a Battle Scene" had apparently passed through the hands of Edward H. Merrin in 1973. (Edward H. Merrin had also handled the "Merrin Zeus" displayed at the Cleveland Museum of Art.)